Freakonomics Radio
It may just be being human. Stephen Dubner interviews A.I. performer Tilly Norwood to find out if we are as replaceable as we fear. (Part two of a two-part series.)
- SOURCES:
- Sean Astin, actor, president of SAG-AFTRA.
- Kevin Kelly, co-founder of Wired.
- Ethan Mollick, associate professor of management at the Wharton School of the University of Pennsylvania.
- Tilly Norwood, A.I. performer.
- Eline Van der Velden, founder and C.E.O. of Particle6.
- Joel Waldfogel, economist at the University of Minnesota.
- RESOURCES:
- “Quiet, My Exoself,” by Kevin Kelly (KK, 2026).
- “How Large Language Models Are Reshaping the Book Market,” by Imke Reimers and Joel Waldfogel (NBER, 2026).
- “Intellectual Property and Creative Machines,” by Gaétan De Rassenfosse, Adam B. Jaffe, and Joel Waldfogel (NBER, 2024).
- Digital Renaissance: What Data and Economics Tell Us About the Future of Popular Culture, by Joel Waldfogel (2018).
- “The Random Long Tail and the Golden Age of Television,” by Joel Waldfogel (Innovation Policy and the Economy, 2017).
- “Quality Predictability and the Welfare Benefits From New Products: Evidence From the Digitization of Recorded Music,” by Luis Aguiar and Joel Waldfogel (NBER, 2016).
- “Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster,” by Joel Waldfogel (NBER, 2011).
- EXTRAS:
- “How to Survive the A.I. Shock,” by Freakonomics Radio (2026).
- “Should A.I. Move to Space?,” by Freakonomics Radio (2026).
- “Are Thousands of Medical Cures Hiding in Plain Sight?,” by Freakonomics Radio (2026).
- “Can A.I. Save Your Life?,” by Freakonomics Radio (2026).
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
-
489. Is “Toxic Positivity” a Thing?
In this special episode of No Stupid Questions, Stephen Dubner and Angela Duckworth discuss the consequences of seeing every glass as at least half-full. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about…
-
488. Does Death Have to Be a Death Sentence?
In this special episode of People I (Mostly) Admire, Steve Levitt speaks with the palliative physician B.J. Miller about modern medicine’s goal of “protecting a pulse at all costs.” Is there a better, even beautiful…
-
488. Does Death Have to Be a Death Sentence?
In this special episode of People I (Mostly) Admire, Steve Levitt speaks with the palliative physician B.J. Miller about modern medicine’s goal of “protecting a pulse at all costs.” Is there a better, even beautiful…
-
487. Is It Okay to Have a Party Yet?
In this special episode of Freakonomics, M.D., host Bapu Jena looks at data from birthday parties, March Madness parties, and a Freakonomics Radio holiday party to help us all manage our risk of Covid-19 exposure.
-
487. Is It Okay to Have a Party Yet?
In this special episode of Freakonomics, M.D., host Bapu Jena looks at data from birthday parties, March Madness parties, and a Freakonomics Radio holiday party to help us all manage our risk of Covid-19 exposure.…
-
486. “The Art Market Is in Massive Disruption.”
Is art really meant to be an “asset class”? Will the digital revolution finally democratize a market that just keeps getting more elitist? And what will happen to the last painting Alice Neel ever made?…
-
486. “The Art Market Is in Massive Disruption.”
Is art really meant to be an “asset class”? Will the digital revolution finally democratize a market that just keeps getting more elitist? And what will happen to the last painting Alice Neel ever made?…
-
485. “I’ve Been Working My Ass Off for You to Make that Profit?”
The more successful an artist is, the more likely their work will later be resold at auction for a huge markup — and they receive nothing. Should that change? Also: why doesn’t contemporary art impact…
-
485. “I’ve Been Working My Ass Off for You to Make that Profit?”
The more successful an artist is, the more likely their work will later be resold at auction for a huge markup — and they receive nothing. Should that change? Also: why doesn’t contemporary art impact…
-
484. “A Fascinating, Sexy, Intellectually Compelling, Unregulated Global Market.”
The art market is so opaque and illiquid that it barely functions like a market at all. A handful of big names get all the headlines (and most of the dollars). Beneath the surface is…